Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Michelino da Besozzo
The Mystic Marriage of St Catherine, St John the Baptist, St Antony Abbot

ID: 32423

Michelino da Besozzo The Mystic Marriage of St Catherine, St John the Baptist, St Antony Abbot
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Michelino da Besozzo The Mystic Marriage of St Catherine, St John the Baptist, St Antony Abbot


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Michelino da Besozzo

Italian Early Renaissance Painter, active 1388-1450  Related Paintings of Michelino da Besozzo :. | Buffalo Bulls Fighting in Running Season-Upper Missouri | Self-Portrait with Model | Emperor Francis I sg | On swing | Jesus crucified like back |
Related Artists:
Marques, Francisco Domingo
Spanish, 1842-1920
WIERINGEN, Cornelis Claesz van
Dutch painter (b. ca. 1580, Haarlem, d. 1633, Haarlem) Dutch draughtsman, painter, etcher and navigator. His name first appears in the Haarlem records in 1597. It is generally assumed that he was a pupil of Hendrick Vroom, whose work strongly influenced his own. Documentary sources confirm that he maintained close friendships with both Hendrick Goltzius, who made woodcuts after his drawings (see fig.), and Cornelis Cornelisz. van Haarlem. Van Wieringen was more than once governor of the Haarlem Guild of St Luke, a position in which he was responsible for updating the guild's outmoded organization. He specialized in seascapes and received commissions from the city of Haarlem, the Dutch Admiralty in Amsterdam and others. His interest lies primarily in his influence on Dutch marine painters of the 17th century.
Andrea del Sarto
Italian High Renaissance Painter , 1486-1530 Italian painter and draughtsman. He was the leading painter in Florence in the early years of the 16th century, and, under the influence of Leonardo da Vinci, Fra Bartolommeo, Michelangelo and Raphael, he elaborated and perfected the classical style of the High Renaissance. In the second decade of the 16th century his art anticipated aspects of Mannerism, while his direct, immediate works of the 1520s became important models for the more naturalistic Tuscan artists of the Counter-Reformation. He painted mainly religious works, including both altarpieces and major cycles of frescoes. His portraits, distinguished by a dreamily poetic quality,






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